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27 March 2007
America's Greatest Rock'n'Roll Band? I don't have much to say about Aerosmith (though I daydreamed recently about writing an essay about the folkloric aspects of Run-DMC's accounts of recording 'Walk This Way'), but now I'm thinking about who America's Greatest Rock 'n' Roll Band is. Any nominations? This isn't the kind of decision you'd want to leave up to me, that's for sure.
Currently working: The Bell Rays
Of All Time:The Band (I know, they're Canadian, mostly, but close enough)/The Replacements/The Ramones (three way tie)
I would've liked to say the Allman Brothers Band, but I know enough people who either hate them or have never heard of them to know that's a bad choice. Same applies for Lynrd Skynrd: The other day I met a recent college escapee who was hip to the "Free Bird!" in-joke but had never heard of the band by name. Bob Seger and the Silver Bullet Band might work -- they've been doing stuff longer than the Replacements, anyhow, although the lineup's changed some. (WP link). In spite of their solo careers, maybe Crosby, Stills and Nash (& Young) might fit the bill.
On preview, if danf can cite the Blasters (they're tremendous) I can likewise mention Beto y los Fairlanes or the Fabulous Thunderbirds, or maybe Omar and the Howlers.
From your question I thought you meant a current band, but if you mean, like, EVER, then I have to answer, "The Band," because they wove together the Blues, Soul and Country roots of American Rock better than anyone, in my opinion.
Are you talking about bands, or bandleaders, or both? 'Cuz I agree with jonmc if you include the frontman. But I think, just as a band, the Heartbreakers are up there.
Oh yeah, and the Rolling Stones. They only have a few English songs, the rest is all-American.
I have always found Bruce Springsteen to be disingenuous, despite his good musicianship and his excellent band, which includes a guy named Nils (my name).
Does 'America' mean US? North America? Western Hemisphere? And does 'rock 'n' roll' exclude, say, the JB's, or the Funk Brothers, or Public Enemy, for that matter?
Also, do you Heartbreakers partisans mean the Tom Petty ones, or the Johnny Thunders ones?
See, I'm glad that other people are taking part in this discussion, because if I was having it with myself, it would quickly degenerate into me trying to shoehorn people into the definition of 'rock n roll' when they clearly don't belong there? The Revolutionaries? The Bitches' Brew-era Miles band? They kinda rocked, right?
The Bottle Rockets. The Mothers Of Invention. The Ronnettes. Los Lobos. Sly & the Family Stone. Parliament-Funkadelic. Metallica. The Supersuckers. The Muffs.
I thought of the Pixies too, but IMHO, Sonic Youth is much better live. I saw the Pixies once and they just seemed really bored and aloof. At one point, Mr. Francis stormed off the stage in a huff because a couple of people were stage diving. Kim Deal seemed really nice though and she stayed after the show to chat with fans and sign autographs.
By contrast, I saw Sonic Youth open for Neil Young once. The small crowd that was there was openly hostile and just didn't 'get' the whole Sonic Youth thing. The band was completely oblivious and just kept on a rockin' like I'd never quite seen a band rock out before (rolling around on the stage doing 10 minute feedback drenched guitar solos). Awesome.
Creedence Clearwater Revival. Southside Johnny & the Asbury Jukes. The Iron City Houserockers. (and if were nominating honorary Americans) Van Morrison.
Yeah, hellbient, where do you get off, comparing Blueshammer and Devo to The Supersuckers and The Iron City Houserockers?
The United States of America was better than The Residents, who are better than America, who are better than The Presidents of the United States of America. I can't decide where dead prez fits in, other than that they're worse than The Residents.
Disingenuous. The fake down-home accent, the so-very-relentlessly-downtrodden workingman-with-lungs-full-of-coaldust pose. It's too much. Just points out how much better Dylan is and always was as a writer.
I saw the Pixies in reunion mode, and they looked like they were fun. But I saw Frank Black solo a few times (once with The Catholics) and he was great. You can tell from his solo stuff that Deal et al didn't have shit to do with why the Pixies music was so great, except for Gigantic is a pretty great song. That band Deal built after the Pixies broke up really sucked. But she inspired a generation of female bassists, which is good. Blah blah blah, yadda yadda yadda, I'm just yammering, todays data entry is a bit stultifying.
The Doobie Brothers!
And aren't we talking bands here, not artists with backup?
PlanetKyoto: That is his actual accent, his neighborhood in Freehold was called 'Texas' because of the transplanted southerners who moved there to work at the Nescafe coffee plant nearby. And Dylan (who I consider probably the greatest songwriter of the 20th century) is as disingenuous as anyone. Liking or not liking Bruce is a matter of taste, but I don't doubt his sincerity at all.
Heehee--I'm trying to fuck with you, jon, not hellbient. He's just a bonus. Seriously--The Muffs? Yeah, they're right up there with CCR and The Band.
These kinds of questions come up a lot, or it ought to, when thinking about this kind of stuff. Does fame count for anything? Obviously, it shouldn't be the deciding factor, or America's greatest rock'n'roll band would be The Eagles or Michael Jackson or something, but it ought to count for something, right?
And maybe the Band of Gypsies. But the Experience was more British than American, and Janis never played with a great band.
uh, Blueshammer is a fake band, right? Please, tell me they are.
And yeah, that's right, fuckin' Devo. Suck it.
While we are at it, Fuck:
Janis Joplin
Supersuckers
Iron Horse Cityfuckers
Los Lobos
The Pixies
The Band
The Allman Brothers
Van Morrison
Southside Johnny and the Jukeheads
The Muffs
the so-very-relentlessly-downtrodden workingman-with-lungs-full-of-coaldust pose
His dad was a bus driver. What did your dad do?
It's too much.
It's authentic.
Just points out how much better Dylan is and always was as a writer.
Great, well, thet's true about everyone, before or since. Nobody has the oeuvre Dylan does. Because Springsteen isn't Dylan, he's a faker? Since you can say the same about everyone, it follows that everyone's a faker. Bravo.
Your tastes run to anything in particular, or just against stuff?
Hendrix played with British musicians, but he was as American as it gets. Big Brother was a good garage-band who were elevated by Janis' presence, I'd argue.
That is his actual accent, his neighborhood in Freehold was called 'Texas' because of the transplanted southerners who moved there to work at the Nescafe coffee plant nearby.
That's Jersey shore, dude. Where are you from?
Hee! So which is it? Fake Southern, or Jersey shore? Because even I feel like I should be able to tell the difference between those.
Sorry, PlanetKyoto, I'm just being a dick. I didn't mean to get so wacky about that. I'm a dick. My bad.
And there are people up and down the Eastern Seaboard speaking with incongruous accents. Shit, I'm from Maryland, the Delmarva peninsula sounds like it's located somewhere south of Birmingham and west of the Pecos, with a little Mainer thrown in for grit.
With all props to Hugh, I'm giving you the straight scoop. Freehold is actually about 40 miles from the shore, he didn't move to Asbury till later after his parents moved to California. The general gist I've gotten from interviews and bios is that he picked up the minor twang from his dixie ex-pat neighbors.
(also: give the Boss and the Jersey Shore crew this much: when they arrived on the scene, rock and roll had kind of gotten out of hand with the baroque frippery. Bruce and Southside (among others) brought some of the source material back down to earth)
I'm probably a nerd, and I know their stuff, mm, somewhat well, but the Fair brothers have that Arthur Lee/Roky Erickson/Bob Pollard problem. Wait, I need to be more specific--that's the problem where nobody knows your name, not the problem where, in a long long career, you've recorded a few great things and a lot of mediocre ones.
Well, no surprise jonmc has the whole story to my half-assery. But it doesn't make it any less authentic, and I've heard people from the Jersey shore who talk like the Boss. So, uh, there. *tugs collar*
I have to agree with my father who was a teenager during the Rock 'n Roll era. If it's not a I-IV-V progression and it does not feature that fifth-sixth phrase, it's not Rock 'n Roll. Since very few bands after the 50s and 60s used that musical basis almost exclusively, and further, one man is pretty much synonymous with Rock 'n Roll, then America's Greatest Rock 'n Roll band is Chuck Berry.
I can think of three bands, Springsteen and the E Street Band, Allman Brothers Band and Little Feat. But I notice that all three had an early creative peak and then slowly declined into a comfortable mediocrity. So now I don't know.
Now, if you wanna argue over America's Greatest ROCK Band
So who would you choose, mischief ?
And what's the difference between rock and rock'n'roll? Besides more letters and apostrophe abuse, that is. I could never knowed that what be the difference is.
I agree, mischief, the trouble's in definitions. Both of "rock'n'roll" and of "band." I'd disqualify Chuck Berry and Elvis and Jerry Lee Lewis on the grounds that they're band leaders, not bands. Same goes for Hendrix and Joplin and Springsteen. That's why I mention the Crickets without Holly, The Heartbreakers without Petty, and the E Street Band without Springsteen. But I think rock'n'roll is wide open -- it's not just what happened back then, it's what came after. The rock'n'roll era continues to this day.
Wow, how in hell'd I overlook the Eagles? Major soundtrack ingredient of my adolescence. So was Boston; although they did just one album, what an album it was!
I also overlooked Springsteen mostly because, by the time Born in the U.S.A came out, I was more than a little tired of ol' Bruce -- he was just too good for his own good. Or something. Bob Seger's more my speed, I guess.
And yeah, let's give the Beach Boys their due. They were the Beatles of West Coast rock.
Technically speaking, iconomy: Beyond the fifth-sixth feature in the lead guitar with thirds and sevenths picked up by a rhythm guitar or piano (or implied in the turnaround if only a single guitarist or pianist), rock 'n roll also has a distinctive backbeat, which is emphasis on beats two and four and gives rock 'n roll that driving feel. Rock 'n roll can also fall out of a straight-eight beat and into a shuffle beat, either for entire songs or during breakdowns.
Rock on the other hand is distinctive for its removal of thirds from chords and accenting all beats in 4/4 time with a weak 1/8 note in between. Punk rock is the epitome of this style.
The greatest American Rock band: KISS
The best American Rock band: Television or Patti Smith Group (mainly due to the presence of Lenny Kaye)
My favorite American Rock band: The Alice Cooper Group
(all of which will probably change if you ask me tomorrow)
What's today, Tuesday? Tuesday it's the Bad Brains and Wednesday it's the Band and on Thursday you have to pick a new band from the last year or you get your underwear frozen when you fall asleep. All other days are wildcard days, except Saturday between 11pm and midnight when it's CCR NO MATTER FUCKING WHAT.
When I reviewed the Alice Cooper Group's books, I found some shocking inefficiencies. How can you own that many steakhouses, yet spend that much money on fake blood?
Except the Cars, who even though they sound exactly like Ric Ocasek's demos (which I've never heard, but you know it's true) are a great rock band, but Ocasek's a clever enough arranger to invert the backbeat for the first half of the verse on "My Best Friend's Girl" and then revert it to normal for the second half, creating a tension and essentially turning the seecond half of the verse, which is the same as the first half, into a dynamic pre-chorus.
And marrying Paulina Porizkova was a stroke of genius.
Plus Ocasek produced some of the classic Bad Brains albums, thereby following the model of Ray Manzarek and X, and establishing that he's cooler than his material.
Louis Armstrong invented lemon Italian Icee's and knew how to cook a chicken with a clothes iron. Bix Beiderbecke invented rock and roll on accident one day when he was painting a mailbox.
In the annals of both Rock and Roll, truly there has never been a greater American band than Air Supply. The fact that they are Australian only proves my point.
I'm going to go eat lunch, by which I mean I'm going to drive my hot rod down to the crossroads, where I'll meet my childhood sweetheart, a good girl gone bad and a hooker with a heart of gold.
So many bands have been mentioned, but there are only one or two that are in the running for the single best.
I say if you're gonna allow The Band, then you gotta allow the Stones: neither are from the USA but both play American music. And the Rolling Stones are the Greatest Rock'n'Roll Band in the World, so they're the GR'n'RBiA by some mathematical property I don't care to name.
Aerosmith
The Bell Rays
The Band
The Replacements
The Ramones
The Blasters
The Allman Brothers band
Lynyrd Skynyrd
Bob Seger and the Silver Bullet Band
Crosby, Stills, Nash & Young
Beto y los Fairlanes
The Fabulous Thunderbirds
Omar and the Howlers
The Beach Boys
The Archies
The Residents
Dread Zeppelin
Bruce Springsteen & the E Street Band
(Tom Petty and) The Heartbreakers
(Buddy Holly and) The Crickets
The Rolling Stones
ZZ Top
The J.B.'s
The Funk Brothers
Public Enemy
Booker T & The MGs
The Grateful Dead
Charlie Daniels
Nirvana
Los Fabulosos Cadillacs
The Coasters
The Kingsmen
The MC5
The Dictators
The Impressions
Sonic Youth
The Pixies
The Bottle Rockets
The Mothers of Invention
The Ronettes
Los Lobos
Sly & The Family Stone
Parliament
Funkadelic
Metallica
The Supersuckers
The Muffs
The Velvet Underground
The Stooges
Devo
Van Halen
Suicide
Duke Ellington and His Washingtonians
Louis Armstrong
Blueshammer
America
United States of America
Creedence Clearwater Revival
Southside Johnny & the Asbury Jukes
The Iron City Houserockers
Van Morrison
Jimi Hendrix
Janis Joplin
The Doobie Brothers
The Delaware Destroyers
Damn Yankees
Mitch Ryder and the Detroit Wheels
The Clash
Pearl Jam
Half Japanese
New Potato Caboose
The Runaways
Husker Du
Prince and the Revolution
Chicago
Chuck Berry
Little Feat
The Eagles
The Little River Band
Kix
Crack the Sky
Celine Dion
Joan Jett
Bad Brains
Boston
KISS
Television
The Patti Smith Group
4 Non Blondes
The Cars
USA for Africa
Bix Beiderbeck
Billy Joel
King Tubby
Mantovani
Bon Jovi
I like Journey, muddgirl, but I've been drinking. (I just got back from the laundromat/bar. The guy next to me says that that his uncle was in the Soul Survivors ('Expressway To Your heart'), who knows, but I had the old barflies singing along to 'I Want You Back' and now I'm home on the back porch in beautiful weather with the wireless working and a cold beer and the iPod Hi-Fi playing 'Oh Lonesome Me.' and I've got two bags of peanuts and some oreos. Life is OK sometimes.
Fucker. I'm working. Cold coffee & sick flourescent lighting. People coughing up random pieces of lung and hope.
p.s. to Jon: I never got around to commenting on your nifty blog. It's quite the accomplishment. Very well done. I haven't spent half the time there that I'd like. Even though you're clearly wrong about almost everything. (I keed.)
Flo, you're one of the people who I'd truly enjoy being told I'm completely wrong by. Box, wino, the Janus, and matteo are some of the others. (I put up the first 'early recordings entry' late last night, BTW. I'll do another tommorrow, it'll thrill a few MeChazens)
Janus, you are welcome to swing by. Just call first and I warn you, I'm pretty toasted.
Yup, Jamerson's the greatest; Entwistle, Paul McCartney (see? I said something good about the Beatles), Lemmy, Jack Bruce, John Deacon from Queen. And Steve Harris. And Larry Graham. And Ronald La Pread. And Bootsy. Matt Freeman deserves to be listed among them.
Gee, come to think of it, there are a lot of kickass bassists out there.
Does anyone remember the Journey: Escape video game? They had one in each of my local pinball/video arcades, The Boardwalk and The Outer Limits. The Boardwalk was for drug dealers; The Outer Limits was for quarter-a-day Q*bert wizards.
Christine Woodbridge of Alpha & Omega is a pretty great bass player. Jah Wobble. Peter Hook from New Order/Joy D. Joe Preston of Melvins/High on Fire is a total badass.
From what I understand, that Journey video game cabinet had a cassette player in it that rewarded you with a Journey song (Separate Ways?) when you beat the game. Sadly, I have only beat the game in MAME emulation. So, no Journey song for me. :(
The most technically proficient American rock band: Van Halen
posted by mischief
I'm a big kiss fan and a moderate van halen fan. That said, kiss was pretty gimmicky (more than most) and I can look back now and see my interest in kiss came at least partly from that aspect. They had great anthems but also some atrocious stuff. I'd put up van halen (up to 84) against kiss any day. Add to that every guitarist, for better or worse, wanted to be eddie for more than a decade and I think it you have to bottle one band as the quintessential american 'rock' band and I think van halen is hard to beat.
Bassists? Jaco Pastorious. Scott La Faro. The dude who played on the Barney Miller theme song. Geddy Lee. And yeah, Ross Valory doesn't get near the props he deserves.
Cactus was a good band, but they were far more popular outside the US.
Jefferson Airplane is one of my favorite bands, but not even in the same ballpark as rock 'n roll (their earliest goal was to eliminate as much r'n'r influence as they could and focusing on electric-folk).
Seals & Croft and BS&T also not r'n'r (folk/folk-pop [Your Mama Can't Dance was considered a novelty hit in the US] and R&B respectively). Southside Johnny, while an excellent r'n'r band, were never very popular more than a few hundred miles from the Jersey shore.
The problem with using the "Greatest" description is you must weigh popularity as heavily as conformance to the genre.
Besides popularity and conformance to the genre, I think that consistency must also be mentioned. And as much as I love Jefferson Airplane (up against the wall, motherfuckers!), pretty much everything that any of those folks have been associated with since the mid-'70s has been uninspired or worse. The nadir was 'We Built This City.' Like a Diane-Warren-penned late-90s Aerosmith power ballad, 'We Built This City' is so soul-crushingly pointless, banal and phoned-in that it actually makes its creators previous efforts worse.
Big Star,Love,Stooges,Patti Smith Group,Husker Du,and could this possibly be the first mention of R.E.M.?
This Springsteen you speak of...a regional phenomenon?
But I have to clear up a couple things -- I grew up in the Springsteen-associated towns. The accent is a legitimate Jersey Shore accent, because the Jersey shore filled up with people from Oklahoma and Texas and the Deep South when World War II got started. They escaped Southern poverty and came up for the abundance of war work. Southern speech influenced the local accent pretty deeply. You can hear that accent in any shore bar where townies hang out.
Freehold's not that far from the shore - it's actually under 20 miles from ASbury Park. It's not like two different worlds - people zip back and forth among all these towns several times a day.
Comparisons with Dylan don't go very far. Dylan's an incredible songwriter and I'm a big fan. But he's even more of a poser than Springsteen, if you believe in poserism -- he's a Minnesota small-town kid who decided to take on the persona of a mysterious rootsy hobo rambler, rode that train to fame, and then reformulated himself as rebel enigma. You can't even know who Dylan is, properly. Springsteen is exactly what he seems, and very intelligent and politically active, too.
Spingsteen and his band do the best job of combining influences from MoTown, rock, jazz, and roots music to create a sound that the world absolutely identifies with America.