03 August 2011
The convenience trap: What the changes at Netflix reveal about an insidious trend →[More:]
Earlier this summer, a New York Times Magazine article touched off a debate about “cultural vegetables,” singling out “long” movies that in most cases are shorter than the average football game. We carry around unspoken assumptions about what’s long and what’s short, what’s easy and what’s hard, and when those assumptions calcify, we may no longer be aware they’re there. The populist idea that art should be accessible to the public has been engulfed by the notion of art as commodity, readily available, no waiting.
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