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23 September 2010

How do you think Michael Wesely made these photographs? [More:]Hello all,

I am intrigued by these photographs and have many questions abuot them, perhaps some of you would know more.

How do you think Michael Wesely made these photographs?

Pinholes? Diazo film? Neutral density filters?

Did any of you see the actual exhibition at the MOMA?
How were the images displayed?
How big were they?
Were they on photosensitive paper or digital prints?

Etc.

Love,

cixa
Those have to be some CRAZILY small pinholes, no? Something so small that such a lengthy exposure doesn't just result in ALL WHITE!
posted by richat 23 September | 06:53
There was a post on Mefi about this, there may have been an explanation there.
posted by amro 23 September | 06:55
Yeah, they're really long exposure pinholes. Here's a Make video on how to make them; I don't know specifically about the paper Wesely used but I think actually it was lithography plates and not paper at all. Here's an article on his work and that of Justin Quinnell, who does similar stuff.
posted by mygothlaundry 23 September | 08:23
What I want to know is how they did that cool pop-out effect when you click on the pictures!
posted by joedan 23 September | 10:12
joedan - that would be the Highslide javascript plugin.
posted by desjardins 23 September | 10:52
Color version of MOMA construction, which was an experiment at that time (PDF).

How does he do it? Really solid tripod, neutral density filters, and "experiencing the time". I'd like to see his camera set-up, which he says is "a bit oversized; so that once you see the camera you get the feeling: "do not even try to think about moving me"."
posted by filthy light thief 23 September | 15:47
Death-Wish Jobs: || Got a bad feeling about today.

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