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Takashi Miike’s infamous 1999 shocker centers on a simple deception: a widower in search of a new wife holds a phony casting call, hoping to find his perfect woman among the candidates. From the beginning, Audition has the hallmarks of a delicately balanced romantic thriller, with some fillips: a tongue-in-cheek montage of the auditions, some compositional commentaries on the ironies of the plot, and a very few spine-numbing jolts for spice. But the last few sequences veer suddenly into vicious, visceral territory, mocking the measured urbanity of the previous hour. It’s ghastly. Is “ghastly” a bad thing? Only you can decide that.