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03 December 2006

The Romantic Revolutionaries. [More:]
Tom Stoppard's latest staging in NYC is Coast of Utopia. It's a play that largely draws from historical facts, Stoppard researched the topic for several years, based on the life and actions of the first (indigenous) socialists in pre-revolutionary Russia, like Alexander Herzen and the so called founder of the anarchist movement Mikhail Bakunin. The play is studded with brilliant characters like Belinski, a literary critic and Turgenev an emerging poet and is a prismatic depiction of the deteriorated, claustrophobic society in (imperially fucked up) Russia at the time, the inquiring but really privileged youth (intelligentsia), and the mundane, ineffectual lives of those who crossed paths with them, mostly females of inconsequence: wives, mothers, daughters, lovers and the thousands of deprived peasants.

I saw part one two weeks ago and will get to part two sometime next week. But I wonder if any of you caught it too, in NY or elsewhere (London?). I would love to hear your opinions about the play, the staging, the performances, anything you like to share...
I've seen the first part (it was staged here two or three years ago), and even though the perfomances of most of the actors were merely "good", it still left a strong impression on me.
posted by Daniel Charms 03 December | 13:12
(Sorry, pressed Post instead of Preview)

I remember myself thinking that he "didn't get the facts correct", but this was only for a second and only in the beginning of the play (it hadn't been on for a few months and the actors had some trouble getting started). After that, though, I was too immersed to pay attention to such tiny things. I could feel the intellectual atmosphere of the era, at the same time seeing the hoplessness of their struggles. I was with Bakunin in his searches, yet I was also looking at it from a distance with irony (like Turgenev)...
posted by Daniel Charms 03 December | 13:22
Thanks Daniel. I read a lot about the staging in London and it sounded better than the NYC one. I was hoping that some of the local folk would answer me too, because I thought that the performances were quite disappointing here (Ethan Hawke overdid it, Ehle was inaudible, and Herzen, a main character fer crying out loud was blunt -invisible). I don't think it's my generally bad mood, but maybe it was. There were some powerful moments as far as the artistic direction is concerned (I will always remember the opening scene) but it got rather ...tacky(?) afterwards. And I love the play itself.
posted by carmina 03 December | 22:34
Well, I had not even heard about her a few days ago, but || Pictures of South Bay!

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