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Placido Domingo, asked what attributes he would want from every living conductor, said in 1982 that he would want ''the cheering of Jimmy Levine, Claudio Abbado's special way of indicating a legato, Zubin Mehta's incredible facility. But from Carlos Kleiber, I would want ... everything.''
He had a poetic way of communicating how passages should be played. In one rehearsal of Mozart's Symphony No. 33 with the Chicago Symphony, he said a slow section should sound "like a parent tugging a child away from a toy-store window as they walk along the street."
Carlos Kleiber: "My father always told me: `Do whatever you want, but don't try to conduct waltzes. They're the hardest things in the world.' Unfortunately, I didn't listen to him."