Les Amants Réguliers (Regular Lovers), the latest from Philippe Garrel, appears to be the director's response to Bernardo Bertolucci and his 2003 take on Paris '68, The Dreamers. Shot in gorgeous black and white by William Lubtchansky (cinematographer on a handful of Godard films), it not only captures the Paris of that tumultuous year, but feels like a genuine artifact from the era.